Today I'm reviewing something a little different than any mic I've tested in the past; the Rode Reporter.
This is a dynamic, omnidirectional, XLR microphone. The majority of dynamic mics are used in stage situations where you want to reject most background noise. In that case, a cardioid setting is what you would want. This mic on the other hand is not designed for stage use. This mic is designed to be used as a reporting microphone (as I'm sure you guessed from the name). The omnidirectional polar pattern allows you to hold the microphone in between yourself and the interviewee while picking up the majority of the audio. This will remove the need to move the mic back and forth between yourself and the interviewee too much.
For the majority of this review I am connecting the microphone to my computer using a Focusrite Scarlett Solo interface with the gain set around 75-80%, and the audio was boosted +10dB in post as well.
If you are interested in this microphone kit, it will set you back $130 on Amazon
What's In the Box
- Zip Pouch
- Microphone Flag
- 10-Year Warranty
- Frequency Response: 70Hz - 15kHz
- Polar Pattern: Omni Directional
- Sensitivity: -56dB
- Impedance: 150-Ohms
Performance / Features
This microphone's build quality feels pretty dang awesome. It has an all metal construction to hold up against the rigors or reporting. It has some decent weight to it, but it's not too heavy so it won't get uncomfortable during long interviews. It also has a ridiculously long handle so you can look like bob barker as you shove the microphone in an interviewee's face. And most importantly, the microphone's capsule is mounted on an internal shock mount to limit the amount of handling noise.
The frequency response of this mic is 70Hz - 15kHz, which is within the range of a standard dynamic mic. The fact that this rolls off around 70Hz is actually a good thing considering the use case. If you're in loud areas, or outside, you want to eliminate low rumbles, or wind noise which this frequency response will help with. The thing I was most impressed with was that my voice sounded pretty natural.
The omnidirectional polar pattern is the really unique feature of this microphone. As I previously stated that is because this microphone is meant to be held between two people while picking both voices up without having to reposition the microphone constantly. In that use case, this polar pattern works extremely well.
- Great build quality
- Natural Vocal Sound
- Omnidirectional Polar Pattern
- No requirement for Phantom Power in the field
- A lot cheaper than a multi lav wireless system
- A bit on the quiet side (need to boost preamp pretty hard)
- Hyper focused use case
This is not my favorite sounding dynamic mic I've come across, and it will not do the best at background noise rejection, BUT, for video interviews or reporting, I think this thing is an absolute home run. It fulfills all your needs for field recording for relatively cheap when compared to alternatives. Therefore, if you are looking to do interviews in the field, I think this is a great budget option.
If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP.