Today I'm reviewing a mic that I've been trying to get my hands on for about a 4 months. The mic being featured is the Blue Nessie Adaptive USB Condenser Microphone.
This is a USB microphone that is listed as compatible with Windows & Mac OS X. It offers multiple DSP modes which are marketed as a way to make recording easy, and it offers a built in pop filter & shock mount to ensure you do not suffer from any plosives or vibrations.
If you are interested in this microphone, it will set you back $100 on Amazon
What's In the Box
- 5-foot USB Cable
- Frequency Response: 20Hz - 20kHz
- Polar Pattern: Cardioid
- Max SPL: 110dB
- Bit Depth: 16-bit
- Sampling Rate: 48kHz
Performance / Features
The build quality of this mic seems pretty decent for the price. The base of the microphone is metal and has some substantial weight to it. The entire base acts as a dial to control the headphone volume as well. underneath the dial there is an LED light that glows when the microphone is plugged in and receiving power, and blinks when the microphone is muted.
Speaking of mute, on the front of the microphones neck, you have a single red button to mute/unmute the mic. On the back of the neck you will find a USB plug, a 3-way switch to change between the 3 modes (flat, voice, music), and directly above that you will find a 3.5mm headphone port which provides latency free monitoring.
When we get to the microphone capsule, the grills on both sides of the mic are metal, while the center blue piece is made of plastic. Within the casing there is a pop filter to eliminate plosives as well as a shock mount to ensure you don't suffer from vibrations or table bumps. You are also able to tilt the microphone about 90-degrees to make sure you get the best placement possible.
The frequency response ranges from 20Hz in the low end all the way to 20kHz in the high end. While playing guitar/singing on this mic, I think the performance was only decent on all the settings. When me moved to the acoustic guitar test, I thought that the only usable setting was the flat mode. On the voice mode, the guitar was overly boomy with very little presence, and while set to music mode, the high frequencies seemed overly shrill and piercing.
The cardioid polar pattern was the correct choice for this microphone as it sits directly on the desk. It did pick up a decent amount of keyboard noise, which is to be expected of any desktop microphone, and it picked up my voice fairly well even at 4-feet away.
- Built in pop filter
- Decent audio quality
- Latency free monitoring
- Cannot remove mic from desktop stand
- Picked up vibrations from computer & bumps of desk quite prominently
I was not impressed with this microphone. The audio quality is decent on the flat mode, but I found the two other DSP modes to be subpar. On top of that, you will be stuck using this as a desktop microphone, as you cannot remove the microphone from the stand and put it on a boom arm. This led to some issues during the test. I found the microphone picked up vibrations from my computer as well as bumps of the desk. Moreover, when you're forced to keep the microphone placed directly on your desk, it is difficult to get decent microphone placement to record instruments or your voice.
Although this microphone has plenty of features that are listed as selling points, I feel that it falls short and leaves a lot to be desired. If you are looking for audio quality for anything other than demos, I would suggest looking elsewhere.
If you have any additional questions about this microphone, leave them on the youtube video, and I will try to reply ASAP.